10 Bal 2008 11:31 pm Omkar
Nu Adomai, no offence, bet gal tada is tavo pacio papostintos vikipedijos straipsniuko nupeistinu :
Goa Trance (sometimes referred to as Goa or by the number 604) is a form of electronic music that developed around the same time as Trance music became popular in Europe. It originated during the late 1980s and early 1990s in the Indian state of Goa.
:)
cia is kito straipsnio :
We took the beaches of Goa to the outskirts of Amsterdam in ’88. A bastion for pirate shamanarchists. Our party crew, and this is prior to such events like ‘The Voov’, was called ‘Pagan Productions’. I Deejayed in a large circus tent in the fields at Ruigoord.
..tai jei '88 jau veze i Amsteri, tai dar kazkiek laiko turejo vystytis viskas?
cia dar is kito va salitinio :
The music of the time was, of course, nothing like the music that has come to be known as Goa trance. Boyd (1996) suggests the Grateful Dead. Ollie Olsen (in Cole, 1996d), who has collaborated with the pioneering Goa trance DJ, Fred Disko, recalls Disko telling him that around 1980 the staple beach party repertoire still consisted of the Doors, Neil Young, the Eagles and perhaps some Pink Floyd. The name Disko was given to him because he was one of the first to introduce electronic dance music to the scene. Another pioneer Goa trance DJ, Goa Gil, who was "one of the originators of the famous Goa full moon parties", played live with a band, and also DJed in Goa through the 1970s. When, at the beginning of the 1980s, he grew tired of the "rock/fusion/reggae" music he was spinning, he introduced "the first post-punk experimental electronic dance music coming from Europe, the neue deutsche welle, electronic body music" (Gil, 1996). Ray Castle (1996a, p. 3) supports this view, that "Goa techno trance actually originated from hard line, electronic body music, groups like Nitzer Ebb, Front 242, Frontline Assembly, as well as from Eurobeat."
Paul Chambers (1996), a British Goa Trance artist now based in Byron Bay , Australia, recalls that on his first visit to Goa in the 1985/86 party season that all the music was electronic. He recognised only a small selection: artists such as Frankie Goes To Hollywood, Dead or Alive, and Portion Control; the rest was unknown to him. He was particularly impressed by the rapid electro basslines in the tracks he heard, but when he returned to England in January 1986 he discovered that "the real Goa sound proved very elusive to find and hear [in England]. The nearest was on certain b-sides of 12 inch singles and dub mixes."
The police, however, started to crack down on the parties in 1990, but the atmosphere relaxed briefly for the 1991/92 season, generally regarded as the last important year of Goa parties. Steve Psyko (in Cole, 1996b) sums up the situation:
...when I was in Goa in 1991--that was one popular year-- there was a party every two days. There had been no parties for one or two years because of one or two problems with the police. Suddenly the parties were on again; everything was in full scale............suddenly the feeling became something that that everyone wanted to identify with.....Suddenly everyone wanted to identify with the feeling coming from Goa.
etc..etc..etc..
istyret kaip rimti kino kritikai :D nu jo keleta kartu suklydau nes kalbejau ne is encyclopedijos iskales zodzius, o ta ka zinaojau jau senai,
:o
